2016-05-01
Fair Grounds Race Course, New Orleans, Louisiana, USA
w/ Promise Of The Real
Show rarity = 21.09
| # |
Song |
Instrument |
Arr. |
Song
Plays |
Bust
Gap |
Inst
% |
Arr
% |
W
Inst |
W
Arr |
W
Plays |
W
Debut |
W
Bust |
W
Unrel |
Perf
Score |
| 1 |
F*!#in' Up
| electric guitar | Band | 306 | 0 | 96.08 | 97.71 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 2 |
Cortez The Killer
| electric guitar | Band | 556 | 21 | 94.24 | 85.79 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 3 |
Country Home
| electric guitar | Band | 146 | 0 | 97.95 | 99.32 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 4 |
Seed Justice
| electric guitar | Band | 38 | 0 | 100.00 | 100.00 | 0.000 | 0.000 | 0 | 0 | 0 | 1 | 1.000 |
| 5 |
Monsanto Years
| electric guitar | Band | 41 | 0 | 97.56 | 100.00 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 6 |
Love And Only Love
| electric guitar | Band | 351 | 0 | 98.01 | 99.43 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 7 |
Rockin' In The Free World
| electric guitar | Band | 644 | 0 | 86.80 | 88.82 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
| 8 |
Powderfinger
| electric guitar | Band | 813 | 1 | 83.27 | 83.64 | 0.000 | 0.000 | 0 | 0 | 0 | 0 | 0.000 |
×
How Rarity Is Determined
Song score — 6 factors
- Instrument rarity: instrument used at less than 5% of performances [0–4 score]
- Solo vs band rarity: performed solo vs band (or vice-versa) at less than 5% [0–4 score]
- Rarely played: performed 5 or less total times [1, 2, 3, 4, 8 score]
- Unreleased: unreleased at the time [+1]; still unreleased [+2]
- Debut: career debuts are identified [+1]
- Bust-out: greater than 300 shows between performances [0–4 score]
Show score — 2 factors
- Songs: score based on the number and degree of song rarities
- Setlist uniqueness: an added score for the degree of setlist uniqueness (order not considered)
Exclusions
- Excludes songs where Neil is only a contributor (e.g., “Wooden Ships,” “For What It’s Worth,” Lukas Nelson songs, etc.)
- Only shows with 5 or more Neil contributing songs are counted
- The Bob Dylan & Pegi Young tours are not considered
Notes
- This is just an exercise to see if an algorithm can match what recording collectors have considered the most sought-after shows.
- Song scores of 3 and below don't appear to be very useful by themselves.
- The most important attribute of all — performance quality — isn’t factored in at all.
If you have any additions, corrections or comments please feel free to contact me.